On 14/01/13 9:40 PM, Toby Thain wrote:
... From 1992 I worked in a reproduction house (probably the last with substantial bench staff) that had invested hugely in non-PostScript digital Crosfield gear (drum scanners, real time drum recorders) and Crosfield's digital colour separation software. Crosfield had a "PostScript bridge" but due to the nature of Crosfield's primitives, it had dire limitations. My job was to run the pure-PostScript side of the business,
Since this sounds a bit misleading, to clarify: I was not in the *business* side, but in charge of PostScript *production* department.
--T
--TobyThose were fun.